I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
This graphic novel has such a strange atmosphere. It is a classic in surreal graphic novels. The dreamlike scene get a nightmarish feel combined with the insecurity of teenage life. Personally it made me see different on my teenage years, and why I felt different. This book can make you go deeper into the questions of your alieness. I come from a back ground of cinematic art and this book felt like David Lynch’s Twin Peaks series in beautiful black ink drawings. It made me realize that stories told in drawings can offer as much as a movie.
“The best graphic novel of the year” (Time) tells the story of a strange plague devastating the lives of teenagers in mid-1970s suburban Seattle, revealing the horrifying nature of high school alienation—the savagery, the cruelty, the relentless anxiety, and the ennui.
We learn from the outset that a strange plague has descended upon the area’s teenagers, transmitted by sexual contact. The disease is manifested in any number of ways—from the hideously grotesque to the subtle (and concealable)—but once you’ve got it, that’s it. There’s no turning back.
As we inhabit the heads of several key characters—some kids who have it,…
This comic is a 1:1 dream story. It has the weirdness and absurdity of dreams. It is about Juliet herself and is an autobiographical classic. And it made me wonder how very personal feelings in your dreams are actually universal. It also has feministic potential, being very honest with all its dreamy gender chaos and strangeness.And it’s funny.
Doucet has transcribed her intimate dreams i nto intensely drawn comic book stories, remembering everythi ng from tormenting nightmares to her most secret desires. Th e widely acclaimed young cartoonist offers us a unique psych edelic trip. '
This book is contemporary art. The graphics are on a different artistic level than most comics or graphic novels. It made me realize that the contemporary art scene can live and flourish in storytelling, which by the end of the day led me on my path to becoming a comic artist. The story about W the Whore has a weird poetic feel. It is not about a prostitute, but about a woman and that is the symbolism and metaphors Feuchtenberger introduces in her surreal landscape.
The experiences of womanhood are heightened and transformed in these eerie, fairy tale–like comics by a gifted artist-writer duo.
Soon after the fall of the Berlin Wall, the West German–born Katrin de Vries read a magazine featuring the drawings of the East German–born Anke Feuchtenberger. De Vries wrote to ask Feuchtenberger if she might want to collaborate, and together they’ve produced some of the most striking German comics of the last thirty years, most notably W the Whore.
Collected here in English for the first time, W the Whore, W the Whore Makes Her Tracks, and W the Whore Throws…
Arsène Schrauwen has the simplicity and length to give you this feeling of never being able to escape your sickness or your loneliness. Olivier Schrauwen works with graphic novels as a contemporary artist. His drawings are so precise and weird, they make me think of great folk art as done by Bill Traylor. We realize the inner truth in his simple line and the awkwardness of life. This book is an experience like a dream; both utterly original and strangely familiar.
In 1947, the author’s grandfather, Arsene Schrauwen, traveled across the ocean to a mysterious, dangerous jungle colony at the behest of his cousin. Together they would build something deemed impossible: a modern utopia in the wilderness — but not before Arsene falls in love with his cousin’s wife, Marieke. Whether delirious from love or a fever-inducing jungle virus, Arsene’s loosening grip on reality is mirrored by the graphic novel reader’s uncertainty of what is imagined or real by Arsene.
The Bun Field is a dream journey of a genderless child. It has a strange and nightmarish feel to it; the protagonist is being so vulnerable and kind of hurt, but it is not without a constant dark sense of humor. Dark as the country Finland in wintertime. It has a delicious pencil-smudged style as the school of Feuchtenberger has influenced many northern artists, myself included.
An introduction to the work of a new artist not to be missed Characterized by an intriguing disjointed rhythm and delicious pencil-smudged style, The Bun Field is defined by a surreal ebb and flow, possessing a deep sense of foreboding and hurt, yet maintaining a biting sense of humor. Amanda Vähämäki’s first graphic novel is infused with a sense of abbreviated adolescence and a kind of gray-sky banality. In this story, a young girl dreams of a dinosaur eating Donald Duck; wakes to find a bald, hulking stranger sharing her breakfast; leaves to take a car trip with a bear;…
A woman has an encounter with a tattooist that leads to a quick and very different pregnancy. This unexpected event leads her on a journey of self-discovery; deep in the flickering world of her subconscious, she discovers many potent symbols, poetic wonders, spiritual guides, and strange visions.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
